Biomimicry—borrowing ideas from the natural world—is a valuable tool, but I’m not interested in just mimicking forms. If you start there, you run up against the limits of your materials. But if you start with your materials, you unlock so many potential ways the architecture can take shape. For me, starting with the materials is nature. It means basing your design on what the material is naturally capable of, and how you can push it. It’s a lot different than settling on an iconic form that looks natural and then trying to figure out how to build it.
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